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Laurence T. Fessenden is an American actor, producer, writer, director, film editor, and cinematographer. He is the founder of the New York based independent production shingle Glass Eye Pix.

City Wide Fever
as Larry

Trauma, or Monsters All
as Sam

I Fell in Love with a Z-Grade Director in Brooklyn
as Rusty Festerson

Cowboy
as Rip

Good Boy
as Grandpa

Blood Shine
as Leader

Wild Animals
as Father
Blackout - Behind the Scenes
as Self

One-Way Ticket to the Other Side
as Father (segment: Electric Blue)

MaXXXine
as Security Guard

Killers of the Flower Moon
as Radio Voice (for Hale)

The Good Mother
as Gary

What Doesn't Float

Brooklyn 45
as Lt. Col. Clive Hockstatter

The Wild Man
as Walter

Summoners
as Doug Whitman

Cold Wind Blowing
as The Wolf (AM Radio DJ)

Offseason
as H. Grierson

The Spine of Night
as Prophet of Doom (voice)

Dashcam
as Lieberman

Isolation
as Man

Jakob's Wife
as Jakob Fedder

Tales of the Uncanny
as Self

Clapboard Jungle: Surviving the Independent Film Business
as Self
Fessenden's Depraved: Making Frankenstein in a Brooklyn Loft
as Himself

Dementer
as Larry

Depraved
as Ratso

The Mountain
as Meals

The Dead Don't Die
as Danny Perkins

The Last Drive-in with Joe Bob Briggs
as Self

Sadistic Intentions
as Homeowner

Crafty
as Beast (voice)

Presence
as Sleeping Man Who Feels a Presence

Only a Switch
as Mr. Farrow

The Ranger
as Uncle Pete

86'd
as The Drunk

Like Me
as Marshall

Most Beautiful Island
as Rudy

Gray Matter
as Richie

Small Crimes
as Earl

Psychopaths
as Henry Starkeather

Stray Bullets
as Charlie

Girlfriend's Day
as Taft

In a Valley of Violence
as Roy

The Stakelander
as Biggs

No Way to Live
as Jerry

Carnage Park
as Travis

Callback
as Boss

The Transfiguration
as Drunk Man

Body
as Arthur

Darling
as Officer Maneretti

Southbound
as The D.J.

The Mind's Eye
as Mike Connors

We Are Still Here
as Jacob Lewis

Pod
as Smith

Late Phases
as O'Brien

Worst Friends
as Jerry

Wild Canaries
as Poker Player

The Strain
as Jack Noon

We Come In Pieces: The Rebirth of the Horror Anthology Film
as Self