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Todd Haynes (/heɪnz/; born January 2, 1961; Los Angeles) is an American filmmaker. His films span four decades with themes examining the personalities of well-known musicians, dysfunctional and dystopian societies, and blurred gender roles. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's life and death, using Barbie dolls as actors. Superstar became a cult classic. Haynes's feature directorial debut, Poison (1991), a provocative exploration of AIDS-era queer perceptions and subversions, established him as a figure of a new transgressive cinema. Poison won the Sundance Film Festival's Grand Jury Prize and is regarded as a seminal work of New Queer Cinema. Haynes received further acclaim for his second feature film, Safe (1995), a symbolic portrait of a housewife who develops multiple chemical sensitivity. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. His next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival. Haynes gained acclaim and a measure of mainstream success with Far from Heaven (2002) earning his first Academy Award nomination for Best Original Screenplay. He continued to direct critically lauded films such as I'm Not There (2007), Carol (2015), Wonderstruck (2017) and Dark Waters (2019). He directed his first feature-length documentary, The Velvet Underground (2021). Haynes directed and co-wrote the HBO mini-series Mildred Pierce (2011) for which he was nominated for three Primetime Emmy Awards.

Barbara Forever
as Self (archive footage)

Off Script with The Hollywood Reporter
as Self

Art-House America: Austin Film Society
as Self

Douglas Sirk – Hope as in Despair
as Self
Dark Waters: The Cost of Being a Hero
as Self

At the Video Store
as Self

Marcians
as Self - Interviewee

Xavier Dolan: Bound to Impossible
as Self

Great Directors
as Self
Notes on the Death of Kodachrome
as Self

Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir
as Interviewee
Maternal Overdrive
as Self

Fabulous! The Story of Queer Cinema
as Self

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
as Self
SexTV

At Sundance
as Self

Swoon
as Phrenology Head
He Was Once
as Randy

Natural History
as Child

Superstar: The Karen Carpenter Story
as Todd Donovan

Assassins: A Film Concerning Rimbaud