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Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.

Walking in Circles: Shinjuku with Hisayasu Sato: Part 3
as Self

Revenge in S&M: An Interview with Hisayasu Sato
as Self

Escape 3: An Interview with Hisayasu Sato
as Self

Lord, Have Mercy: An Interview With Hisayasu Sato
as Self

Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato
as Self

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2
as Self

Lost in the Bedroom: An interview with Kyôko Nakamura
as Self

I'm Being Watched: An Interview with Hisayasu Sato
as Self

Autumn

Japanscope, panorama de la nouvelle Nouvelle Vague

Cross the Lens
as Self

Tokyo Elegy
as Detective

I Stand Alone - SEX & LOVE

Chikan densha: Iyarashii kôi
as Man drinking sake

Cruising Love Story
as Man in gay couple

Groper Train: Start at the Back
as Cameraman

Groper Train: Final Stop
as Man groping school girl

Zetsukin gyaru: Yaruki munmun

Wakazuma Misshitsu Bôkô Jiken

Pink Physical Examination

Female Prisoners: Brutal Treatment
Hometown Porn Girl 18! Seeding Festival
Delivery Wife: Get Wet!
Crying Rope, Missing Black Hair
Young Wife Assault Pervert

In The Sea of Trees